Lenses / Flashes

The Ricoh Theta TH-2 Hardcase, compatible with all Theta models from Ricoh is a clear polycarbonate case designed to fit a Theta m15, S, or SC spherical camera. The water-resistant TH-2 Theta Hard Case enables you to shoot near water sources, but it is not waterproof. This IPX7-rated case protects against rain and splashes. The TH-2 Theta Hard Case features an integrated, industry-standard 1/4"-20 mount for attaching to a tripod, selfie stick, or other support.

Dedicated to the Ricoh GR III digital camera, the Ricoh GA-1 Lens Adapter is required for attaching the GW-4 Wide Conversion Lens to the camera's built-in lens.

Dedicated to the Ricoh GR IIIx digital camera, the Ricoh GA-3 Lens Adapter, for GR IIIX is required for attaching the GT-2 Tele Conversion Lens to the camera's built-in lens.

Dedicated to the Ricoh GR III digital camera, the Ricoh GW-4 Wide Conversion Lens is a 0.75x-magnification lens, which provides a wider, 21mm equivalent focal length. Use of this adapter requires the additional GA-1 Lens Adapter for attaching to the camera and, additionally, a petal-shaped lens hood is included to reduce flare and ghosting.

The Ricoh GT-2 Tele Conversion Lens for GR IIIX lens from Ricoh is designed for use with the GA-2 Lens Adapter and the GR IIIx digital camera. When mounted, the camera automatically detects the GT-2 as a tele-conversion lens and extends the focal length to approximately 75mm equivalent to the camera's crop mode, or to approximately 107mm in the second crop mode.

A super wide rectilinear lens for Micro Four Thirds, the Laowa 7.5mm f/2 MFT (Standard Black) MFT is a compact and versatile prime that is well-suited to astrophotography and other wide-angle subjects. Beyond its small form factor, this lens also features a notable optical design that incorporates two aspherical elements and three extra-low dispersion elements to control distortion and aberrations for improved clarity and sharpness.

The compact, lightweight, and versatile high magnification Laowa 25mm f/2.8 2.5-5X Ultra-Macro Canon EF is specially designed with an extended working distance (45mm at 2x and 40mm at 2.5x). It is optimized for macro shooting between 2.5X – 5X life size and allows sufficient lighting on the object for easier shooting in the field. This 25mm lens is developed for both professional and leisure macro photography and is ideal for use in the field or indoor set-ups.

The compact, lightweight, and versatile high magnification Laowa 25mm f/2.8 2.5-5X Ultra-Macro Nikon F is specially designed with an extended working distance (45mm at 2x and 40mm at 2.5x). It is optimized for macro shooting between 2.5X – 5X life size and allows sufficient lighting on the object for easier shooting in the field. This 25mm lens is developed for both professional and leisure macro photography and is ideal for use in the field or indoor set-ups.

The compact, lightweight, and versatile high magnification Laowa 25mm f/2.8 2.5-5X Ultra-Macro Sony FE is specially designed with an extended working distance (45mm at 2x and 40mm at 2.5x). It is optimized for macro shooting between 2.5X – 5X life size and allows sufficient lighting on the object for easier shooting in the field.

Pairing an ultra wide-angle field of view with an especially compact design, this Laowa 9mm f/2.8 Zero-D Sony E from Venus Optics is a Sony E-mount lens offering a 13.5mm equivalent focal length. As a Zero-D lens, this 9mm f/2.8 optical design is specifically meant to limit distortion for clear and accurate portrayals of landscapes and architectural subjects.

Followed by the success of the Laowa 100mm f/2.8 2X Ultra Macro APO Canon EF (Auto Aperture), the 100mm f/2.8 2:1 Macro is the 2^nd member of the Laowa 2:1 macro line-up. It features an apochromatic (APO) characteristic that chromatic aberration at both ‘in-focus’ & ‘out-of-focus’ is both invisible.

New optics to join the Laowa 9mm f/2.8 Zero-D Fuji X, for near-zero distortion. Built entirely in aluminum, it's very moderate weight and reduced size go hand in hand with the format of a hybrid case for both photo and video use (easy balancing on a stabilization system). Its construction incorporates 2 aspherical lenses as well as 3 ED glass lenses to limit the appearance of chromatic aberrations and retain maximum detail.